About Elisa Gabbert
Elisa Gabbert is the author of five collections of poetry, essays, and criticism: The Unreality of Memory & Other Essays, forthcoming in August 2020 from FSG Originals (available for preorder now) and in Autumn 2020 from Atlantic UK; The Word Pretty (Black Ocean, 2018); L’Heure Bleue, or the Judy Poems (Black Ocean, 2016); The Self Unstable (Black Ocean, 2013); and The French Exit (Birds LLC, 2010). The Word Pretty was a New York Times Editors’ Pick, and The Self Unstable was chosen by the New Yorker as one of the best books of 2013. She writes a regular poetry column for the New York Times, and her work has appeared in the New Yorker, the New York Times Magazine and Book Review, the New York Review of Books, the Guardian Long Read, the London Review of Books, A Public Space, the Paris Review Daily, Guernica, and many other venues.
Other adventures: Elisa Gabbert writes an advice column for writers, The Blunt Instrument, at Electric Literature. Send her a question at firstname.lastname@example.org. She occasionally teaches at Lighthouse Writers Workshop. She has co-written several collaborative collections with Kathleen Rooney, including That Tiny Insane Voluptuousness. She holds degrees from Rice University and Emerson College. She lives in Denver.
Elisa is represented by Monika Woods at Triangle House Literary.
Photo by Adalena Kavanagh